dead on dead crime is never awesome.
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dead on dead crime is never awesome.
‘The Thing’ and ‘Hostel’ To Have Themed Mazes At Universal Studios Hollywood This Halloween
http://www.slashfilm.com/hostel-them...ood-halloween/
and HO1K in 3d.
Jesus. C'mon, Aja.
You've got talent, stop ****ing wasting it on remakes and do some more original ****.
BD Horror News - Bloody Disgusting Selects: Action-Styled Action in Post-Apocalyptic 'Hellacious Acres'!!
Quote:
I'm super excited to report that we've acquired North American rights to the post-apocalyptic comedy Hellacious Acres: The Case of John Glass for limited theatrical (we'll be going art house with this guy), VOD and DVD release as part of their Bloody Disgusting Selects film series. The pic was first announced here on Bloody this past June and premiered at Fantasia.
Montreal-based director Pat Tremblay wrote, directed and played the titular character in Hellacious along with editing, co-scoring and creating most of the visual effects. Cast includes Navin Pratap, Jamie Abrams, Paula J. Davis, Laurent Lecompte and Francis Dubois.
"The story centers on a man suffering from amnesia who wakes up inside a cryogenic freezer as a robotic voice bombards him with information about World War III."
Inside you'll find what is easily one of my favorite trailers of the year. Get ready for "action-styled action" and a whole lotta walking...
http://i27.photobucket.com/albums/c1...1/wakewood.jpg
OUTSTANDING. From Hammer films this little creepfest combines Pet Semetary with Wicker man, and just gets it right. A lot of animal violence, so if you're squeamish like me in that regard, it's a little tough. Good stuff, highly recommended!
What Fun We Were Having: 4 Stories About Date Rape (2011) | Horror Movie, DVD, & Book Reviews, News, Interviews at Dread Central
While it doesn't sound like a fun movie, it clearly sounds morbidly interesting.Quote:
By shifting the focus away from the violent, physical aspects of rape, Wingard breathes shades of ambiguity into his characters while saying something very deep about the nature of intimacy, treading into deeper, darker territory than the usual predator and victim clichés. While clear acts of rape are suggested in each story, there are also more ambiguous emotional undercurrents charting complex and shifting power dynamics, suggesting that the potential for “rape” exists in every human interaction. The tendency to be blinded by our own desires, projections, and fantasies is, after all, something that many of us can relate to in our own fumbling search for connection.
