This July, Christopher Nolan will complete his Batman trilogy with The Dark Knight Rises. Nolan’s approach to Batman has been to set the character in the “real” world. Anything remotely comic-book-y is verboten. There is no Batmobile; there’s the Tumbler. There’s no Two-Face; there’s “Harvey Two-Face”. In The Dark Knight, Gotham City looked like Chicago, and because of tax breaks for the production, Gotham City will look like Pittsburgh in The Dark Knight Rises. Say what you will about Tim Burton and Joel Schmacher‘s takes on Batman (and there’s plenty to say), but they dreamed bigger.
Nolan’s take has merit, but it also wants to take the “super” out of superhero. Yes, Batman doesn’t have superpowers, but he’s still extraordinary. But there’s no room for Bat Shark-Repellant.
Bat Shark-Repellant was used by the Caped Crusader in 1966′s Batman: The Movie. For those who haven’t seen the film, it’s an absolute joy. It’s big, it’s cartoony, it’s campy, and it doesn’t care. No filmmaker or studio would risk a plot where the villains dehydrate the world leaders into colored sand. And if a modern superhero movie dared to make this leap, it would twist itself into circles to provide some reasonable explanation, which would defeat the purpose of making such a grand leap in the first place. Can teenagers not accept a movie where Batman is running down a boardwalk, carrying a giant bomb over his head? Contemporary superhero movies don’t have to be this campy, but an over-the-top, exuberant style has merit. There’s no shame in liking a bombastic, unabashedly silly superhero movie if it’s done right (if it’s done wrong, you have Batman & Robin). The shame comes from keeping superheroes in rigid box of “reality” when the genre has so much more to offer. Like Bat Shark-Repellant.