Yeah, but who owns the film rights to Quasar? mhihi:
How Skybound's Clone Is Doing More Than Cloning Itself For TV - Bleeding Cool Comic Book, Movies and TV News and Rumors
I'm a bit behind on the book, but I like what I've read so far.Quote:
The script is done. It was a blast to write. Everyone wants to be in business with Robert [Kirkman], who is executive producing with me, so we’ll see what happens. Fingers crossed.
I don't follow comics lately like I used to 20–35 years ago, but I found this article through a friend. Curious about thoughts from some of the LGK comic book aficionados.
Multiversity Comics » Comics and the Diminishing Role of Artists in a Visual Medium
It's a pretty quick read, but here's the lead if you're short on time:
Brian Michael Bendis’ “Avengers”.
Geoff Johns’ “Green Lantern”.
Jason Aaron’s “Wolverine and the X-Men”.
When you see people talk about some of today’s greatest and most celebrated runs in comics, it’s quite often only the writer who gets mentioned, even though each of those books wouldn’t have been the same without people like David Finch, Ivan Reis and Nick Bradshaw. We’re living in the Era of The Writer in comics, a time when the quality of comics – in my opinion – is at an all-time high, with art that astounds and thrills — yet there may never have been a time in comics where being an artist is more thankless or minimized.
It’s not just in the marketing for collections at the Big Two, but in reviews and in page rates and in length of runs and many more things. Comic artists have been devalued to the point where you could argue public perception is of them as almost secondary creators, and certainly fungible ones in the comic creation mix.
But why is that? How did we get to a place where these storytellers who make comics comics are the sidekicks, and what can we do to make things better?