All Things:Thriller/Crime/Action

Exclusive PIONEER Clip From Erik Skjoldbj?rg’s Deep Sea Diving Thriller Starring Wes Bentley
Read more at http://collider.com/pioneer-clip/#F2OmWATwhXIC5xWK.99

Here’s the synopsis for Pioneer:
Inspired by real events, PIONEER’s story starts in the 1970s at the beginning of the Norwegian Oil Boom. Enormous oil and gas deposits are discovered in the North Sea and authorities aim to bring the oil ashore through a pipeline over 1600 feet deep. Petter (Hennie), a professional diver, is obsessed with reaching the bottom of the Norwegian Sea. Along with his brother Knut (Eriksen), he has the discipline, strength and courage to take on one of the world’s most dangerous missions but a sudden, tragic accident changes everything. Petter is sent on a perilous journey where he loses sight of who is pulling the strings. Gradually, he realizes that he is in way over his head and that his life is at stake.

Read more at http://collider.com/pioneer-clip/#F2OmWATwhXIC5xWK.99
 


WAIT...someone killed ____ _______???????? Oh hell no...time to break out my own particular set of skills!!!!!
 
Review: Ridley Scott's 'Exodus: Gods and Kings,' Starring Christian Bale, Joel Edgerton, & More

Scott is an endless tinkerer and his recent director's cuts of failed theatrical endeavors like "The Counselor" and "Kingdom of Heaven"—the latter a film that shares some of the same thematic concerns as "Exodus: Gods and Kings" but is ultimately a way more interesting movie—have definitely improved on what came before. Maybe in six months he'll unleash a new version of 'Exodus' that will make us all rethink our original assessment, one that gives the characters their proper due and enlivens sections that previously stumbled. But going on what Scott has presented us with now, "Exodus: Gods and Kings" is a creaky, sometimes painfully boring Old Testament slog, and finds the visionary director unable to successfully wrangle a human story out of a tale of gods and kings. [C-]
 
Review: Angelina Jolie’s ‘Unbroken’ Starring Jack O’Connell, Domhnall Gleeson, And Garrett Hedlund

For all its heart-swelling bluster regarding the triumph of human will and spiritual resilience, “Unbroken” concludes in mostly anticlimactic fashion. The war ends, and yes, there’s a freeze-frame that captures the rather clich?d moments of blissful familial reunion. Loyal to a fault, “Unbroken” also can’t resist the urge to pile on with a Louis Zamperini coda that tells us the hero bravely decided to forgive his captors, set to a milquetoast-y Coldplay song. Jolie means well, her movie is very loyal and well intentioned, but ultimately “Unbroken” is starchy and prudish; no hairs are left out of place other than those knocked by the umpteenth bamboo strike to the temple. [C]
 
First THE LAZARUS EFFECT Image: Resurrecting the Dead with Olivia Wilde
Read more at http://collider.com/the-lazarus-effect-image/#Y0WqB5Kiv1eTSO6v.99

It looks as though Jason Blum is about to go big with a small budget yet again. The very first image from The Lazarus Effect, formerly titled Reawakening, just arrived and while it’s only a single film still, it’ll definitely put you on edge.

The movie comes from Jiro Dreams of Sushi director David Gelb and centers on a group of med students trying to bring subjects back from the dead. Clearly something goes horribly wrong because Olivia Wilde doesn’t look quite right in this new The Lazarus Effect image. Hit the jump to give it a closer look. The film also stars Donald Glover and Mark Duplass, and is due in theaters on February 27th.

the-lazarus-effect-image-olivia-wildeHere’s what Blum told EW about making low-budget films:

“The reason I love to do low-budget movies is you can try different things … have creative freedom and experiment, like our characters.”

Based on the super brief synopsis for The Lazarus Effect, it doesn’t sound like Blum, Gelb and writers Luke Dawson and Jeremy Slater did much risk-taking with the scenario, but Blum insists that Gelb will put a unique spin on raising the dead. However, he did note the similarities between The Lazarus Effect and the 1990 release Flatliners:

“All of us really liked that movie. I feel like we’re tipping our hat to Flatliners, for sure, in this movie.”

Blum also discussed the choice to cast actors we don’t normally see in horror movies:

“The most important thing to make a movie scary is that the you forget you’re watching actors, and you think you’re watching real people. So I think if the audience sees someone they don’t necessarily associate with that genre, it make it feel more real.”


Read more at http://collider.com/the-lazarus-effect-image/#Y0WqB5Kiv1eTSO6v.99
 
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