The Italian Job - Man, this was WAY different from the remake. Michael Caine gets out of prison and finds a job waiting for him, left by a friend who was just recently killed by the mob. The job is to steal 4 million from the mob. It's kind of a wacky heist movie with some really funny parts, but there were also a number of parts that I didn't quite get. Overall, I really liked it, though. Especially the ending.
This movie has also pushed me over the edge and from now on, I will watch any Michael Caine movie older than... I don't know. I haven't decided yet. But, man, that guy is ****ing cool.
Hitokiri (aka Tenchu!) - Hideo Gosha is one of those directors I've read more about then I've seen his movies. A lot of his **** has only started getting released out here recently, so I haven't had a chance to watch it. I bought a bootleg of this flick after hearing from many people at many different points in time that it was not only Gosha's best, but one of the best samurai movies ever made.
And it was ****in' great.
The story revolves around Izo Okada, played by Tomisaburo Wakayama who you might recognize as the original Zatoichi or the main character in the Lone Wolf & Cub/Shogun Assassin movies. He's a low level samurai who rises through the ranks by being a bloodthirsty, brutal killer. He thrives on his hardcore reputation as a badass and he drinks and whores around during his downtime. He's fiercely loyal to his boss, played by Tatsuya Nakadai, a politician who is trying to gain power for his clan in chaotic times. As Okada gets more and more out of control, his boss starts slapping him down and treating him like ****, to the point where Okada has to make a decision between loyalty to his sensei and his own sense of self respect.
It's a violent flick with a lot of political machinations going on in the background, and there's actually a lot more going on than what I just described, but that's the gist of it. Wakayama's performance is by far the best I've ever seen from him, the cinematography is ****ing gorgeous and it's a really great story. The film didn't disappoint in any way, shape or form and I hope that someone (CRITERION, PLEASE) gives it a proper release out here sometime soon.