All Things:Animated

HARRY SHEARER IS NO LONGER A PART OF THE SIMPSONS

http://www.ign.com/articles/2015/05...+twitter&utm_source=twitter&utm_medium=social

But he's still part of Spinal Tap, right??? ;)

all over merchandising...and if they change his deal, they will no doubt have to change the others. If he really goes, you kinda have to put a pin in it. They won't, but they should.

1. It would suck if Shearer left the show.

2. It would also suck if Derek Smalls left Spinal Tap.

3. What does the phrase "put a pin in it" mean?
 
With Harry Shearer gone, here's what 'The Simpsons' will do with Mr. Burns, Flanders & more

Read more at http://www.hitfix.com/whats-alan-wa...th-mr-burns-flanders-more#iIBQcGEKHqAkt78K.99

Shearer has long had a contentious relationship with the show, and was a vocal leader of previous contract disputes between the cast and the studio. (Perhaps not coincidentally, Burns' prominence on the show began to fade after one of those early negotiations.) A source close to the show suggests that not only was Shearer offered the same deal as his co-stars for these additional two years, but was told he could do virtually the whole job by phone, "from anywhere in the world," to reduce his physical commitment to the job, and he declined.

Obviously, losing Shearer is a huge blow. Individually, none of his characters are as essential to the series as Homer, Marge, Lisa or Bart, but the totality of them represents a huge swath of what makes Springfield and "The Simpsons" special. The show can find another voice actor (Billy West, maybe?) to handle some or all of those roles, but there will be a noticeable difference, just as there is with, say, Kermit the Frog post-Jim Henson. Voice actors don't get the credit of their flesh-and-blood counterparts, but Shearer, Dan Castellaneta, Nancy Cartwright, Yeardley Smith, Julie Kavner and Hank Azaria brought those characters to life just as much as the writers and animators did.


Read more at http://www.hitfix.com/whats-alan-wa...th-mr-burns-flanders-more#iIBQcGEKHqAkt78K.99

https://aleyamma.wordpress.com/2009/04/29/lets-put-a-pin-in-it/

I thought it came from thumbtacking the idea to a bulletin board to remember it for later, but apparently it comes from WWII slang referring to putting a pin in the hand grenade, so you can “save it for later.” Who would’ve thunk?

I guess I used that phrase wrong. Apologies. I meant, like a balloon, they should put a pin in it, (blow it up). Seriously, if they continue without Shearer it will simply look like a cash in. I still think they are gonna come to some agreement...but who knows.
 
Cannes Review: Pixar's 'Inside Out' With Amy Poehler, Bill Hader, Mindy Kaling And More

Pretty to look at (the real world segments, especially, are among the loveliest animations the studio have ever done), the film is not quite the perfection of Pixar's greatest output, but no matter how much you may put your dukes up to a movie so shamelessly manipulative, you will be disarmed. Not only because the film is so overtly about emotional manipulation, but also because, for all the Disneyfication of Pixar that we fear (ridiculously enough, the Disney logo got a smattering of boos, while the Pixar logo was roundly cheered), "Inside Out" is not just fun and breezy, it's also truly weird and wicked smart in its thoroughly heartfelt conclusions. After its closing credits that feature terrific, well-observed little vignettes of the emotional HQs of a succession of side characters (would watch a whole film of this in a heartbeat) brain buzzing and cheeks damp, "Inside Out" is a pretty good description of how you'll most likely be feeling. Your cute inner Joy will be hugging your dumpy inner Sadness as the best of friends, because Pixar has so winningly found poetry in emotion. [B+]
 
Cannes 2015 Review: INSIDE OUT, A New Pixar Classic

In so many ways this feels like a true passion project, a back-to-the-basics work that still feels very much like it's built upon all that's come before. Inside Out is up and above many of its animated brethren, a smart and sweet film that never hesitates to be both wacky and melancholic. For a film that's filled with emotions as characters it's perfectly in keeping that it's also full of these emotions in the story it tells so well. A little bit of Joy and Sadness can go a long way, it seems, and my Fear of being Angry or Disgusted is most certainly abated by this exceptional work.
 
Robert Rodriguez to Direct JONNY QUEST Movie
http://collider.com/jonny-quest-movie-robert-rodriguez-directing/

oKAYYYYYYYYYY. Interesting choice...he does kids films good according to Spy Kids fans, and he could use a hit...but this will be neutered to death(Hadji???? two male 'partners'?) in which case the fans will drop out. They could go the other way and embrace it, but I think Venture Bros mined a lot of the good jokes, and that would definitely tune people out...I wouldn't bet on this.
 
God dag! I am finishing up a couple more anime, and would like to recommend them. First is Akame Ga Kill, about a young swordsman who, along with two companions goes to the big city in order to earn money to help their impoverished village. Their futures don't exactly unfold as they had hoped.



Secondly, there is Chaika-the Coffin Princess, about a young women who hires two mercenaries to help her collect the remains of her father so she can give him a proper burial. There is a lot more going on than just that, but to explain further would give away to much. So, if you are intrigued, here are the opening videos to both.

 
Review: Patience pays off for refreshing animated tale 'The Little Prince'
Read more at http://www.hitfix.com/in-contention...ed-tale-the-little-prince#UFUw9zGHPOVCDK8P.99

While there are many genre-specific tropes used to make the story appeal to younger viewers, there is also something about the patience Osborne has for a scene to play out that immediately recalls Brad Bird’s “The Iron Giant” and, to a lesser extent, Gore Verbinski’s “Rango.” There is a faith that the story and characters will keep the audience engaged, even if there isn’t a bright and shiny thing to distract them in a every single scene. Granted, Osborne and his animators have fashioned a top-notch-rendered “real” world for the characters to interact with, and the figure design is just enough of a Franco- and American-skewing mix to make you question what studio actually produced it. But in a business where so much feature animation seemingly has to come from a pre-established entity to gain any notoriety in the public eye, the result is more refreshing than you might expect.
Read more at http://www.hitfix.com/in-contention...ed-tale-the-little-prince#UFUw9zGHPOVCDK8P.99
 
New THE PEANUTS MOVIE Trailer Introduces the New Kid in Town
http://collider.com/peanuts-movie-trailer-introduces-new-kid-in-town/

A brand new trailer for The Peanuts Movie is here, and to be honest, it’s pretty fantastic. I was a little concerned when news of this adaptation broke a while back but I’m feeling much better after this full-length trailer. Unlike some animated adaptations of beloved long-running properties, The Peanuts Movie seems to hit all the right notes and it feels like director Steve Martino has nailed the tone. The animation is great, treading into new territory with computer technology while offering up little tweaks here and there that serve as throwbacks to the original comics version (and the arrival of Pigpen is an absolute delight).

I really hope so too. The only thing, for me, that has this kind of nostalgia/sentiment is Winnie the Pooh. Chuck and the gang were an essential part of my generation's childhood.
 
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