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Review: Director Jay Chandrasekhar's Tentative Sincerity Steps Undermined In Uneven, Sophomoric 'The Babymakers' | The Playlist
I completely forgot about this.
If you thought that “Knocked Up” was too mature a take on impending fatherhood, then “Babymakers” just might be the movie for you. Directed by Jay Chandrasekhar, it follows the comical misadventures of a husband who is reluctant to discover whether or not his sperm is “confused” – and if so, how he’ll handle getting his wife pregnant. Marginally more sophisticated than Chandrasekhar’s efforts with the comedy troupe Broken Lizard, “Babymakers” starts off solidly before getting sidetracked by set pieces that take over the entire narrative – and ultimately reveal how little of one there was in the first place.
But overall, Chandrasekhar’s first tentative venture towards something slightly more sincere is undermined by, quite frankly, his irresistible urge to take the p*ss out of every sequence that might have been played even remotely seriously. He’s a capable director, and he has a great sense of comic timing, but he’s still only a “comedy director,” which means everything is played for laughs and nothing resonates for more than a few seconds. (Not to mention that plot developments – say, an emerging rift between a husband and wife – is perfunctorily handled at best, and then resolved without ever addressing what might have been going on under the surface.) Ultimately, “Babymakers” starts off promisingly, but pays off prematurely, which is why the sterner stuff of deeper feeling should be nurtured, and the sophomoric hijinks strangled in the crib – or at the very least, thoroughly disciplined.
I completely forgot about this.