All Things HORROR



I have learned to take things like this with a grain of salt. I'll hope for the best, but it's clearly an art film...and whenever I see Sundance, and quotes like the ones from the reviews posted in the clip, I get a little nervous. Now if it were a French movie...I might be a little more optimistic. It's been a while, but the French were clearly onto something a few years ago.
 



NSFW. Looks ok, just kinda lowest common denominator. And those kids look too old to still be scouts. Overreliance on cgi blood is a little suspect too. Still, could be good for some easily forgettable laughs.
 
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http://monsterpalooza.com/fall/

danielle harris <3 <3 <3 <3 <3 <3 <3 <3
 
Well, this could probably go several places, including a new thread, but…

Carrie: The Killer Musical Experience is going to play a 6-week engagement in downtown Los Angeles. I saw this as Carrie: The Musical in La Mirada, and it was a whole lot of fun and surprisingly worthwhile. If this even sounds like something even remotely interesting, do yourself a favor and see it. I'm almost certain I'm going to see it again, because I'm curious to see what, if anything, has been changed.

Their Web site is here.

Discount tickets are available from Goldstar, but if you can afford it, the best seats are a completely different experience.
 
Review: Audacious, Resonant, And Atmospheric Horror 'Goodnight Mommy'

While it may not have the ferocious intellectualism of a Haneke film, nor the social agenda of a Seidl, nor the wholly gross-out excess of classic genre horror, this heady stew of references and notions, which borrows elements from haunted house, body dysmorphia, maternal paranoia, and torture porn movies, does have a very similar Austrian vein of ruthlessness running through it. The story simply goes farther than expected, and for the first time, in the finale, after all those cleverly cut scenes that feel like they finish before they're quite "done," "Goodnight Mommy" delivers one you get to watch all the way through to the bitterest of ends. It's a high compliment the film's horror cred to say that you might not want to, though if you're the right kind of disturbed yourself (guilty!), it might also have you grinning at its sheer audacity.
 
I saw Goodnight Mommy on Sunday morning. I recommend it, but didn't enjoy it, if that makes any sense. I feel that I'm unable to properly assess this film on a first viewing, and I'm unable to discuss what I thought was lacking in the film without being overly spoiler-y. Upon first viewing, though, I thought it was critically flawed in a way that made me very impatient for almost the entire movie, and there was not enough other substance in the film for it to be redeemed in my eyes.

On a side note, I tried to see it Saturday afternoon, and the showing was completely sold out due to a massive group ticket grab, so that was personally disappointing but kind of cool for the movie.
 
I saw Goodnight Mommy on Sunday morning. I recommend it, but didn't enjoy it, if that makes any sense. I feel that I'm unable to properly assess this film on a first viewing, and I'm unable to discuss what I thought was lacking in the film without being overly spoiler-y. Upon first viewing, though, I thought it was critically flawed in a way that made me very impatient for almost the entire movie, and there was not enough other substance in the film for it to be redeemed in my eyes.

On a side note, I tried to see it Saturday afternoon, and the showing was completely sold out due to a massive group ticket grab, so that was personally disappointing but kind of cool for the movie.

Ok, I think I know why you feel the way you do, disappointing, but I still am glad I petitioned you to go see it.
For me, the movie paid off on that borderline disinterest I felt through the first 3rd of the flick. You do recommend it, and you want to see it again, so I know there is something there.
Yeah, the 5pm Sunday show was OUT when we went, so I think that flick is doing well with the arthouse crowd that The Landmark pulls in.
 
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