All Things HORROR

This is why we can?t have nice things: ?The Witch? and horror fandom?s gatekeepers
https://medium.com/@rabbitroom/this...-fandom-s-gatekeepers-b2c0bb0d8f9a#.89qu716fw

If this narrative sounds familiar, it is because it is very similar to the release trajectory of two other recent high-profile genre releases of the last two years: Jennifer Kent?s THE BABADOOK and David Robert Mitchell?s IT FOLLOWS. Like THE WITCH, both of those films made big impressions on audiences at prominent festivals. The critical buzz started a wave of prerelease hype that had horror fans salivating at the chance to catch these films on the big screen. In a film landscape where studio horror has become increasingly dependent on cheap ?found footage? productions, sequels, and the odd film based on a board game, horror fans are always on the lookout for something new, and these films promised just that.
While many horror fans did enjoy these films, a vocal contingent very much did not. These viewers felt the films were overhyped and did not deliver on whatever they felt they had been promised by audiences who had seen the films during their festival run. Going further, some of these dissenters claimed these weren?t even horror movies at all, that they were ?boring? and ?not scary,? and that ?true horror fans? would see through the charade and only dilettantes and ?posers? would have anything but disdain for them. Unsurprisingly, THE WITCH is being met with the same reaction by many of these same viewers.

I have not seen the Witch yet, nor have I seen Babadook...but it's this kind of elitist crap that infuriates me. In praising this movie the author basically insults your average ordinary horror fan. And it's the mirror image of the complaint that he is preaching about. It may be BECAUSE the critics have embraced this that horror fans are staying away. I know my spidey sense tingles when a critic, who normally treats the horror film as the red headed stepchild of cinema, embraces and praises a horror movie. Granted, when they are burying the bargain bin high profile entries in the genre that get the big openings(in order to stave off word of mouth) they are correct. But more than any other genre, horror flicks have gone back to the indie mentality. Direct to dvd/vod/blu with possibly a one weekend boutique screening...and you have to search through a lot to find the better examples. It Follows wound up on a LOT of top ten lists. Because it was different, and critics embraced it. But it was a deeply flawed movie that did not deserve the high praise. It was marketed well and the small to wide rollout along with curiousity helped immensely. The Witch's main problem seems to be that they went for the homerun early. Wide release for what clearly looks like an arthouse flick. They overshot. Add in most fans being leery of something that is being hyped so much and adjectives like slow burn...and most people probably said...I will wait for netflix. NOBODY is used to being disappointed like your average horror fan. From pg-13 movies filled with kids to blatant cash grab remakes resuscitating cherished memories(and little else) I don't think any fan is more hopelessly optimistic. But over the past few days I have read a lot of bashing of my people. And it's time to stop. So have your high end/low output showcase movies...but leave me the **** out of it. I will continue to hunt for the ones that you don't even deem worthy of review. Or you simply 'do not get'.
I am hoping to see the Witch today. And I am hoping to enjoy it...like I said, hopeless optimism.
 
This is why we can’t have nice things: “The Witch” and horror fandom’s gatekeepers
https://medium.com/@rabbitroom/this...-fandom-s-gatekeepers-b2c0bb0d8f9a#.89qu716fw



I have not seen the Witch yet, nor have I seen Babadook...but it's this kind of elitist crap that infuriates me. In praising this movie the author basically insults your average ordinary horror fan. And it's the mirror image of the complaint that he is preaching about. It may be BECAUSE the critics have embraced this that horror fans are staying away. I know my spidey sense tingles when a critic, who normally treats the horror film as the red headed stepchild of cinema, embraces and praises a horror movie. Granted, when they are burying the bargain bin high profile entries in the genre that get the big openings(in order to stave off word of mouth) they are correct. But more than any other genre, horror flicks have gone back to the indie mentality. Direct to dvd/vod/blu with possibly a one weekend boutique screening...and you have to search through a lot to find the better examples. It Follows wound up on a LOT of top ten lists. Because it was different, and critics embraced it. But it was a deeply flawed movie that did not deserve the high praise. It was marketed well and the small to wide rollout along with curiousity helped immensely. The Witch's main problem seems to be that they went for the homerun early. Wide release for what clearly looks like an arthouse flick. They overshot. Add in most fans being leery of something that is being hyped so much and adjectives like slow burn...and most people probably said...I will wait for netflix. NOBODY is used to being disappointed like your average horror fan. From pg-13 movies filled with kids to blatant cash grab remakes resuscitating cherished memories(and little else) I don't think any fan is more hopelessly optimistic. But over the past few days I have read a lot of bashing of my people. And it's time to stop. So have your high end/low output showcase movies...but leave me the **** out of it. I will continue to hunt for the ones that you don't even deem worthy of review. Or you simply 'do not get'.
I am hoping to see the Witch today. And I am hoping to enjoy it...like I said, hopeless optimism.

UPDATE: saw the Witch yesterday. While it wasn't the be all end all of Horror movies, it was indeed a horror movie. Maybe a little highbrow for the masses, hence the people staying away. I will post my review in the proper thread when I have had a chance to think about it a little bit more. Would I recommend? Unsure at this time. I mean, if you see the trailer and it interests you, then yes, you should check it out.
 
Berlin Review: Atmospheric, Twisted, And Stylish Pregnancy Horror 'Shelley'

There's a nasty little genre horror swelling in the belly of Iranian director Ali Abbasi's "Shelley," but the film is far more effective for largely being set before those elements come squealing into the world. Containing not one single jump scare, but building a disquieting atmosphere of dread that leads us to make some brilliantly gruesome inferences, it's a classy take on the often trashy pregnancy horror category, with a subtle social critique underlying its neo-gothic texture. Immaculately photographed by cinematographers Nadim Carlson and Sturla Brandth Gr?vlen, whose virtuosic work on one-take wonder "Victoria" is about as far removed from the chilly formalism of "Shelley" as is possible, the film is also flattered by its careful sound design, which mixes the ambient noises of water and forest and wind with Martin Dirkov's amniotic score to almost subliminally unsettling effect. Add to all this two perfectly pitched central female performances from Ellen Dorrit Petersen (so great in "Blind") and Cosmina Stratan (Cannes Best Actress for Cristian Mungiu's "Beyond the Hills") and you have a film that, until an unnecessary series of cruder epilogues, pulsates soft waves of fear like a fetal heartbeat.[B+]
 
Was considering Monsterpalooza http://monsterpalooza.com/spring/. Haven't gone in years, it got a little same-y in Burbank after a few years...and it wasn't exactly jam packed. But with the new venue in Pasadena, my curiosity is up a bit.
Days of the Dead http://www.daysofthedead.net/los_angeles/ is strictly a pay for autographs fest. If that's your thing...

dag yo, i still love meredith salenger... and doug bradley and ashley laurence? i pretty much have to
 
Oh "The Witch"... Argh, so disappointed. I would call it an old-timey art house movie with very few scary elements.
 
tumblr_nua9s4cuQM1qfzcnbo1_500.jpg
 



This is the next The Witch, in terms of possible critic favored horror flicks (but then again, see review below). But the obvious brutality and gore may put off a lot of them. Initial reaction to this trailer...it looks like what happened to the previous crew of the Event Horizon.

‘Baskin’ Review: An Unnecessary and Unearned Splatterfest| TIFF 2015
http://collider.com/baskin-review-tiff-2015/

Baskin is the classic example of a film that fails because it can’t support its carnage. I’m all for extreme blood and guts, but it needs to have purpose. Not only does Baskin fail to deliver engaging characters and an interesting mythology, but it also has an extremely disappointing, unsatisfying and somewhat insulting copout ending that left me wondering, what was the point in putting myself through that? There’s no good answer to that question so rather than enjoy the lingering unease I left with after the movie wrapped up, I couldn’t cleanse myself of it fast enough.

Grade: C-
 
FrightFest Glasgow 2016: Baskin Review
http://www.heyuguys.com/baskin-review/

The story seems straightforward when summarised but Baskin bursts from its concept trappings into genre-bending delirium. Cops get called to investigate a disturbance at a dilapidated mansion only to stumble upon, and get entangled in, an active Black Mass. This general gist is all viewers need to know, as Baskin is best experienced as raw as possible. Evrenol’s visual palette mends the crimson, gothic blotches of Argento with the gruelling bloodshed of Bava/ Fulci and Winding Refn’s visual ?lan. Mangled with the styles of Clive Barker, Ken Russell, Peter Greenaway and Jodorowsky, Evrenol’s film arises as distinct and mesmeric as the films of those who inspired him, but it is also touched with tender moments and mordant comedy which slightly lights the eternal darkness.
 
Baskin Review [Fantastic Fest 2015]
http://wegotthiscovered.com/movies/baskin-review-fantastic-fest-2015/

Baskin is a doomed adventure that uncovers the Hell hidden inside each and every one of us, but it doesn’t become an overnight success based on intestine-ripping gore alone. Can Evrenol has a vivid imagination, one that will generate many great ideas to come, but his love of vague realm-crossing does make a rather linear plot more difficult to follow than necessary here. There’s a strive for religious beauty, playing with the Devil’s chilling grasp, and a mind for bigger pictures – we just need those pictures to unite as one. Baskin is most certainly a film that should be on the radar of most horror fans, but it requires a certain type of patience and focus – and a love for Rob Zombie movies wouldn’t hurt, either.
 
'The Greasy Strangler': 5 things you should know about the year's most disgusting movie
Read more at http://www.hitfix.com/the-dartboard...ars-most-disgusting-movie#9iSkYuFcLjwFEjvx.99

Today, news broke in Variety that a movie entitled The Greasy Strangler has been acquired by FilmRise, thereby revealing to unsuspecting internet denizens that a movie entitled The Greasy Strangler actually exists. So what in the hell is it? Here's a brief explainer.

1. The film "follows a man who runs a disco walking tour along with his browbeaten son. When an alluring woman comes to take the tour, it begins a competition between father and son for her attention. It also signals the appearance of an oily, slimy, inhuman maniac who stalks the streets at night and strangles the innocent — soon dubbed 'the Greasy Strangler.'"
2. It is allegedly one of the most nauseating, shocking films in recent memory.

Following its debut at this year's Sundance Film Festival, critics described it thusly: "a brutal, stomach-churning cinematic endurance test" (HeyUGuys); "as disgusting, deviant, and defiant as its title character" (The Playlist); and "a welcome oasis of filth, depravity and shock" (the Guardian). So, have fun with this!

3. It's the feature directorial debut of Jim Hoskin, who previously helmed the ABCs of Death 2 segment "G is for Grandad."

4. Elijah Woood is a producer on the film through his genre label SpectreVision (started with Daniel Noah and Josh C. Waller).

SpectreVision was also behind such indie genre flicks as Ana Lily Amirpour's Iranian vampire Western A Girl Walks Home Alone at Night and the elementary school-set horror-comedy Cooties.

5. It's slated to hit theaters in the fall.
 
‘Don’t Breathe’ Review: Another Wicked Display of Brutality from Fede Alvarez | SXSW 2016
http://collider.com/dont-breathe-review-dylan-minnette/

The movie features Dylan Minnette as Alex, the son of a security company owner who often “borrows” his father’s keys to rob his clients with Rocky (Jane Levy) and her bad boy boyfriend Money (Daniel Zovatto). Initially they’re careful. They break into homes when the owners aren’t there and stick to stealing luxury items rather than cash to avoid larceny charges. However, when Money finds out that one of Alex’s dad’s clients scored a $300,000 settlement, he insists that they up their game and go for the money. Alex isn’t thrilled about it, but the homeowner is a blind army veteran. How hard could it be to sneak in and out?

The trio certainly has no idea what they’re walking into and it’s unlikely that any written description of what goes down in that house can truly reflect the intensity of the thrills and violence. If you’ve seen Alvarez’s Evil Dead remake, it’s probably no surprise that the director doesn’t hold back. The Don’t Breathe narrative certainly doesn’t call for graphic, over the top deadite-style gore, but the more grounded nature of the brutality makes the material far more horrifying.

The man played by Stephen Lang might be blind, but that doesn’t mean he’s at a disadvantage. In fact, not only is his home fortified for such a robbery but if someone happens to get inside, he’s more than capable of tracking them down and killing them. Between Lang’s incredible physical performance and Alvarez’s haunting camerawork, the blind man quickly becomes downright nightmarish. He’s extremely strong, knows how to navigate the home more swiftly than visitors who can see where they’re going and has some very effective back-up, a snarling dog eager to go to great lengths to catch his targets. This isn’t a haunted house story, but Alvarez quickly establishes that Lang could be anywhere, turning the location into a deeply terrifying place where a threat could sneak up on you in a flash.

While I think Alvarez's Evil Dead remake was a waste of time and had offensive animal violence, this sounds very interesting. Stephen Lang is LONG overdue for a starring turn.
 
Back
Top