One of the most frustrating things about some indie filmmakers is the unwillingness on their part to take advantage of the freedom and lack of studio-applied shackles and create something new. Now, hear me out, I love indie films (especially of the horrific variety), and often prefer those films to bigger budgeted studio releases. However, it’s impossible not to notice the glut of unimaginative films rehashing wide release tales at a fraction of their cost, free from any unique ideas or voices that might set them apart from their more expensive brethren. What’s the point, really?
Fortunately, a film like Resolution comes along every so often. Smart, scary, funny, and quite original, Resolution serves up a tale that this writer honestly can’t recall seeing before – treating us to a story of friendship and forgiveness that delves into the Fantastique, and ultimately becomes a rumination on the nature of storytelling and audience expectations. And all of this is supported by two of the best performances I’ll see this year, given by actors you’ve never heard of (yet)...
...Is Resolution a film for everyone? No. Oh, no. And that’s fine. Some people will likely find it overly talky, not horrific enough, or just plain hate the ambiguous ending (which pays off the film thematically, if not narratively). And I get that. But folks, if you’ve ever found that this reviewer’s taste in flicks resembles your own, do yourselves a favor – buy this flick ASAP. Films like this are all too rare, and should be appreciated when they find their way onto our doorsteps or into our hands.