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New Cut Of Tom DiCillo's 'Johnny Suede' Starring Brad Pitt Coming To Netflix This Month | The Playlist

In March, "Johnny Suede" quietly made its way to Netflix, but there was a problem — Miramax hadn't cleared streaming rights. Understandably, DiCillo was upset. He engaged with Miramax and was allowed to re-edit the movie, dropping a voiceover added by Harvey Weinstein and snipping seven minutes from the movie, bringing it down to 90 minutes total. "It's distilled and improves the film so much," DiCillo told THR. As for Harv, he has no hard feelings and credits DiCillo for finding Pitt before anybody knew about him (the actor was cast before "Thelma & Louise" was released).

I remember this being a pretty terrible movie, but Nick Cave does have a small role in it (that was pretty funny), so I might watch it again, now that it's unedited.

 
Watch: Get A Blast From The '90s With Trailer For Lifetime’s 'The Unauthorized Saved By The Bell Story' | The Playlist

Hold on to your hats! It’s the moment you’ve all been waiting for! Lifetime has posted its first trailer for “The Unauthorized Saved by the Bell Story,” and it promises all of the ego, attitude and adolescent drama you’d want in a behind the scenes look at the making of the splashy '90s Saturday morning sitcom. Inspired by but not based on the 2009 book “Behind The Bell,” which was written by actor Dustin (Screech) Diamond, it’s unclear how far this will delve into scandal, but the memoir was apparently filled with sex and drugs, inciting the ire of some of his costars.

Diamond serves as a co-producer on the film, which will star Sam Kindseth in the Diamond role, along with Dylan Everett (Mark-Paul Gosselaar / Zack), Alyssa Lynch (Tiffani Thiessen / Kelly), Julian Works (Mario Lopez / Slater), Tiera Skovbye (Elizabeth Berkley / Jessie) and Taylor Russell McKenzie (Lark Voorhies / Lisa). Most of these guys are unknowns, but Everett had a role in “Degrassi: The Next Generation,” and Kindseth has appeared in “Shameless.”

 
Plot Thickens as 900 Writers Battle Amazon - NYTimes.com

Douglas Preston, who summers in this coastal hamlet, is a best-selling writer — or was, until Amazon decided to discourage readers from buying books from his publisher, Hachette, as a way of pressuring it into giving Amazon a better deal on e-books. So he wrote an open letter to his readers asking them to contact Jeff Bezos, Amazon’s chief executive, demanding that Amazon stop using writers as hostages in its negotiations.

The letter, composed in the shack, spread through the literary community. As of earlier this week 909 writers had signed on, including household names like John Grisham and Stephen King. It is scheduled to run as a full-page ad in The New York Times this Sunday.

Amazon, unsettled by the actions of a group that used to be among its biggest fans, is responding by attacking Mr. Preston, calling the 58-year-old thriller writer “entitled” and “an opportunist,” while simultaneously trying to woo him and his fellow dissenters into silence.

It's getting heated.
 
Chinese Moviegoers Lead the the Way For Texting In Theaters

Oh sweet god in heaven...

Here’s some fun news to read after watching the trailer for Jason Reitman’s latest (see our post from earlier today). And by fun, I’m sure for many of you I should mean infuriating. According to The Hollywood Reporter, Chinese cinemas are testing out a new system for interactive moviegoing where the audience is able to contribute to running commentary of the film on screen. The gimmick involves “bullet screens,” which are named such for the way the messages scroll across the movie, and it’s a concept that’s been around for a while online in Japan and more recently China. The new big screen version, though, can currently be found in 50 theaters in Beijing, Shanghai, Hangzhou and other cities, specifically at showings of the 3D animated feature The Legend of Qin.

Why an animated feature? Because it’s mostly young people who are interested in the danmu craze, as bullet screens are called over there (danmaku in Japan), and because as THR relays from a translated Chinese publication, it’s “for younger viewers who can’t spend five minutes away from their tablet or phone.” That sounds like theater owners are both cashing in on a trend (each text sent to screen costs 10 cents) and perpetuating a new social problem that probably doesn’t need encouragement. This is the same country that, as shown in the new documentary Web Junkie, has enough of an issue with youths being addicted to the Internet that they’ve become the first in the world to label it a clinical disorder. Interestingly enough, the director of The Legend of Qin is supportive of the idea, claiming that “many of the opinions of the viewers are very helpful for filmmakers.


Read more at Film School Rejects: Chinese Moviegoers Lead the the Way For Texting In Theaters
 
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