Roller Boogie - Seriously, whoever it was at Turner Classics that decided they should play weird/****ty genre movies on Friday nights instead of just showing North By Northwest again deserves a raise. Normally, I wouldn't have bothered with a movie like this, but I have a friend who thinks Linda Blair is the greatest thing that god has ever graced the world with and I watched it for him. This movie is so dated and of its time that it's almost painful to watch at times, but it's bad/cheesy enough to be entertaining the whole way through. Not going to be adding it to my collection, but worth a laugh at all the short shorts and horrible dialogue.
A Million Ways To Die In The West - Undeservingly devastated by critics. It wasn't as funny as Ted, but it was still plenty funny.
The Man Who Would Be King - Michael Caine and Sean Connery are former soldiers who plan to go out to a remote area in the mountains of Afghanistan to find some primitive locals and take over. They do that and when Connery takes an arrow during a battle that doesn't mortally wound him thanks to a leather strap around him, the locals revere him as a God. Having a Mason pendant around his neck doesn't hurt when the locals religion is based around it, either. And from there, you have a bit of a morality tale about absolute power corrupting absolutely. It's a pretty fun movie, with some good banter between the two of them and Connery just kind of edging into the area where he became a parody of himself. Wouldn't buy it, but it was worth watching.
Gun Woman - Blind bought this on blu-ray because it got all kinds of praise from the various genre websites. For a zero-budget exploitation flick it was pretty impressive, but if you start to compare it to any other type of film it falls short. It is what it is, and if you're the type of person that enjoys watching a naked woman covered in blood killing people, then there is a high likelihood that this is for you. I enjoyed it, but don't know if I'll hang on to the disc. Probably end up selling it.
They Came Together - Just about the funniest romantic comedy I've ever seen. It's a spoof of romantic comedies taken to what I thought was an extreme degree, but most of the reviews I read prior to it's release seemed to miss the spoof angle. Or maybe they just didn't like it. I don't know, but I thought it was awesome. Worth the price of admission (it's on Netflix and Amazon Prime) for Christopher Meloni's small role all on its own.
Spy - The best post-Bridesmaids Melissa McCarthy movie thus far, and in large part to supporting cast performances by Jason Statham and Rose Byrne. I generally enjoy McCarthy/Paul Feig movies, so keep that in mind when evaluating whether or not you have any interest in this (I know she isn't everybody's favorite), but, seriously, Statham is ****ing hilarious in this. They either need to give him his own spin-off movie or he needs to do something like this on his own. Even the wife, who is not normally a fan of his, thought he was the best thing about this movie.
Tammy - It really was not intentional, but I watched three McCarthy movies in a row over a 4 or 5 day period. This was alright. Had a couple of good moments, but... ehh.
The Heat - Liked this more than I expected to, but I don't care if I never see it again.
Riddick - Bleh. I could have sworn I read that this was a good movie, but at no point did I give a **** about it during it's runtime. I think it might have been the excessive CGI (I think this was the first movie I watched post-Mad Max?), but it did nothing for me. And Katee Sackhoff's character was kind of annoying. This type of movie has been done before and it's been done better.
Only Lovers Left Alive - Pretty much exactly what you'd expect from a Jim Jarmusch vampire film. Very artsy, lots of pretty pictures and slow motion shots of Tilda Swinton walking down the street. I liked it, though. I've never really gotten into Jarmusch films other than Dead Man, and that was mostly because of Johnny Depp, but I enjoyed this one. There's not a whole lot of scary vampire action, though, and just like the recently watched A Girl Walks Home Alone At Night, this movie really made me wish one of these artsy-fartsy directors would do a real vampire horror movie. I still haven't seen Trouble Every Day (by Claire Denis), but something like Let The Right One In or Thirst. I need more like that.
The Prestige - Hadn't seen this in ages. Still really enjoy it. Dunno about Scarlett's accent, though.
Tetsuo: The Bulletman - The third Tetsuo movie and Shinya Tsukamoto's first english language movie (kind of, there's still a lot of Japanese, but the main character is white). This got really bad reviews from everyone, but I liked it. It's not one of Tsukamoto's best, not even close, and it's got NOTHING on the original, but I still really liked the energy and look of it. NOT recommended for people who get motion sickness. Maybe all the frantic camerawork helped with the bad reviews, but... yeah, I enjoyed it.
A Deadly Adoption - Will Ferrell and Kristen Wiig's movie for Lifetime. Not as funny as I'd hoped. Not sure why I expected more, they all said it was a straight up Lifetime movie, but I did. Meh.
Gone Girl - Goddamn, I love David Fincher. The bedroom scene with Rosamund Pike and Neil Patrick Harris was ****ing amazing. I had to go back and watch it again immediately. Thoroughly enjoyed this.
The Face Of Fu Manchu - Christopher Lee finally gets his wish and gets to play Fu Manchu. Like almost every goddamn movie in which Christopher Lee plays the villain, I have the same complaint: not enough Christopher Lee. Beyond that complaint, the movie was pretty standard. By nature of the character's stoicism (is that a word), Lee doesn't have much opportunity to show off his charisma or chops, so if someone were to call the movie boring I wouldn't argue. Still really bummed about his death.
John Wick - Enjoyed this immensely. Liked the fight choreography a lot, really happy to see Keanu is Born Again. Will be first in line for the sequel.
We're The Millers - Exactly what you'd expect. Has it's moments, but all the dramatic, predictable parts where these characters who hated each other now feel like a real family felt really forced and unbelievable and kind of grinded the movie to a halt.
American Hustle - Remember when this got nominated for, like, every award and then won none? And everyone was shocked? Well, after watching it, I think the Academy probably did the right thing. It wasn't bad, but it wasn't great and definitely did not live up to the hype that was going around pre-awards. The performances were good, the costumes and look was good, but for me the story just didn't really pay off that well. It was alright, I wouldn't mind watching it again, but this wasn't exactly The Sting.
The Signal - Pretty good for a low budget sci-fi film. It kind of reminds me of Moon in that low budget, good idea way, but it's not quite that good. Kept me guessing and though the ending did not have the impact on me the filmmakers probably wanted, I still thought it was a solid way to do it. Recommended.
The Homeless (aka Yadonashi) - Three awesome Japanese stars (Ken Takakura, Shintaro Katsu and Meiko Kaji) at or near the peak of their acting prowess, but on the downside of their careers as far as box office draw and movies they're known for. This movie bombed so heavily in fact that it is credited for the shift in Japanese film from stars producing their own films and their own cast. And a lot of big name stars, including Meiko Kaji, started moving to television as a result. The film itself is ok. There's a lot of pretty cinematography and the story isn't bad, but it can be hard to follow at times (though that may be because the subtitles on the bootleg I watched). It wasn't bad, but I don't think it'll be getting a Criterion release.
Black Belt Jones - The primary inspiration for Black Dynamite. The first 15 minutes or so were pretty fantastic, but after that it got a little too serious. It was still fun and Jim Kelly is still awesome, but I didn't enjoy this as much as I'd hoped.
Grave of the Fireflies - I had never seen this before, but I can now confirm that, yes, this is one of the most depressing movies ever made. It was fantastic, but it's going to hit your Feels in the nuts.
Hellbenders - Clifton Collins Jr and Clancy Brown in a movie together!!!!!!! I loved the idea of this movie, about a team of exorcists who sin as much as they can so that if it comes to it they can commit suicide and take the demon with them to Hell, and the performances were excellent, but the movie falters some in the execution. It's not very clear at points about what's going on and it took longer than it should have for me to figure out what exactly the point of all their sinning was. If you watch it, you can thank me for explaining it to you in advance. Disappointing. I really wanted to love this movie.