And it's not the first time you have called me to task without really explaining how I am wrong.
These characters, like it or not...are part of my culture. So yeah. You can't have it both ways. How ridiculous is it to say that it's insensitive for someone to dress as an Indian for Halloween unless you have American Indian blood in your veins. The hypersensitivity seems to extend to every culture EXCEPT for caucasians. But please, instead of lurking and making more passive aggressive vague posts please...apparently I need enlightening.
You can check with others...occasionally I can be swayed by a good argument. I will even publicly admit it. But don't sit there and condemn me without at least trying to explain to my simple mind how I am not getting it. I realize by standing up for the evil white man I am automatically painted as a racist...yet another double standard. Just because you don't like me, doesn't make me wrong.
I get the underlying logic of the double standard in a vacuum. What's good for the goose should be good for the gander. That makes sense.
The problem is, this isn't taking place in a vacuum where there are equal number of geese and ganders. In the industry under discussion, there are
waaaaaaaay more ganders than geese. And when the industry is supposed to be telling stories about water fowl in general, maybe there should be a few more geese thrown in. Hell, let's add some ducks, too! Cranes, flamingos, what the f*** ever. And you know what, there will still be plenty (most actually) of ganders in the stories.
So, to get us back away from the pond, was it
really that important to make sure that Baron Mordo (or whomever) was white? I know, whatever character(s) you're thinking of been around for ages and this was your childhood. But was their skin color somehow integral to their character? Their motivations? Their place in the story? I mean, Red Skull had to be a white dude because he was a high-ranking Nazi. But if they had cast Batroc as a black Frenchman, would that have been a racial catastrophe? Will it be THAT important to make sure the one chick in the upcoming Thor/Hulk movie is a blonde with blue eyes? Can't she be a Valhallan of color? I mean, the one Warrior is already Asian. Was that from the comics? Has that been a major issue in the films if it's been changed from the comics?
I don't know these characters that well, so those are honest questions. Nor do most people going to see these movies. But I can tell you that it may mean a lot to people, those cranes or flamingos, to see someone like them up on the screen. And it means something to the actors playing them. And it speaks more to the real world that we live in.
And, as far as I'm concerned, the offense taken isn't always clear. Like Tilda Swinton as The Ancient One. On the one hand, I get it. This was an Asian character and the chance to get an Asian actor in a prominent role. Then they throw a white chick in there instead, slap her in some robes, move her to Tibet, shave her head like a hari-krishna, and put her up in some ancient temple in the Himalayas. Doesn't look all that great on the surface.
But I can see where the angle might work. Do they really wanna put an Asian guy in there just to wear a fu-man-chu? Wouldn't that promote a stereotype? So you maybe re-cast away from that and it opens the doors. If The Ancient One is a title going to the wisest person in the group, then why couldn't a woman from half way around the world earn it? And when you take a job as the GM of the Yankees, you move to NY and your start wearing pinstripe ties.
The Scarlett Johansson thing, though, I dunno about so much. I don't know if what the producers are saying about the future world where the names don't go with faces that we'd traditionally think of angle might work. Maybe they set that up okay. Or maybe there's room in the story for that to happen. But for now, it looks like they needed a big, white, US name to get butts in the sets at the expense of what should have been an Asian actress. So I dunno about that one.
Oh, and Tom Cruise wasn't the last man who was a Samurai. It was the story of the final group of Samurai (plural) as led by Ken Watanabe. So it was really "The Last (group of) Samurai." But then, it was told entirely from a white dude's perspective, so maybe then we need a history check. I dunno.
Now, as far as the Hemsworth, thing -- don't blackface, man. Don't use eyeliner to make your eyes look slanty like in "Breakfast at Tiffany's". And don't wear a headdress and carry a tomahawk and whoop around the place. These are established, demeaning caricatures that people of these cultures are STILL working against. So maybe there should be a little care and sensitivity there by all people not of that race/ethnicity/orientation. Now, I don't think the guy's bad or racist. I think he made a poor decision, especially given his profile.
As for you, specifically, I generally give you credit for being well-informed about comics and movies, and you're a smart guy. The times we've met, you've been plenty nice. We disagree on a bunch of stuff, sure. But we've always been civil about it and I respect that. I do think you're a bit sensitive about what you perceive to be personal attacks, but I wouldn't say that I dislike you.
But it's because of the respect I have for your knowledge, open-mindedness, and civility that I am perplexed by your seeming lack of awareness on this issue when it comes to the much bigger picture of color on film, given that it has been a public issue in movies, TV, and comics for some time now. It seems to me a bit bigger than your (completely technically valid) logical conundrum.